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The Ghosts of Hamlet: Lost Arias from Italian Baroque Operas | Arcana A574

The Ghosts of Hamlet: Lost Arias from Italian Baroque Operas

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Label: Arcana

Cat No: A574

Barcode: 3760195735749

Format: CD

Number of Discs: 1

Genre: Opera

Release Date: 28th February 2025

Contents

Works

Carcani, Giuseppe

Ambleto
» Piu fido non poss'io
» Segui ad amar costante
» Son sdegnato (e son geloso)

Gasparini, Francesco

Ambleto
» Cinto d'amiche rose un di crescea
» Nella mia sfortunata prigionia
» Stelle, voi che de' regnanti
» Tromba in campo e spada in guerra
L'Ambleto (pasticcio)
» The Symphony or Overture in Hamlet

Handel, George Frideric

L'Ambleto (pasticcio)
» Tu indegno sei dell'allor

Hasse, Johann Adolph

Sinfonia in G minor, op.5 no.6

Pollarolo, Carlo Francesco

L'Ambleto (pasticcio)
» D'ire armato il braccio forte

Scarlatti, Domenico

Ambleto
» Nella mia sfortunata prigionia
Sinfonia in D minor

Artists

Roberta Mameli (soprano)
Le Concert de l’Hostel Dieu

Conductor

Franck-Emmanuel Comte

Works

Carcani, Giuseppe

Ambleto
» Piu fido non poss'io
» Segui ad amar costante
» Son sdegnato (e son geloso)

Gasparini, Francesco

Ambleto
» Cinto d'amiche rose un di crescea
» Nella mia sfortunata prigionia
» Stelle, voi che de' regnanti
» Tromba in campo e spada in guerra
L'Ambleto (pasticcio)
» The Symphony or Overture in Hamlet

Handel, George Frideric

L'Ambleto (pasticcio)
» Tu indegno sei dell'allor

Hasse, Johann Adolph

Sinfonia in G minor, op.5 no.6

Pollarolo, Carlo Francesco

L'Ambleto (pasticcio)
» D'ire armato il braccio forte

Scarlatti, Domenico

Ambleto
» Nella mia sfortunata prigionia
Sinfonia in D minor

Artists

Roberta Mameli (soprano)
Le Concert de l’Hostel Dieu

Conductor

Franck-Emmanuel Comte

About

Ambleto is a fascinating curiosity in music history: a baroque libretto by Apostolo Zeno on the legend of Hamlet, not based on Shakespeare's tragedy but on its primary source, the Gesta Danorum by Saxo Gramaticus. This swashbuckling drama has been first set to music by Francesco Gasparini (Venice 1705) – whose version served as the basis for a pasticcio (London 1712) with arias by various composers including Handel – then by Domenico Scarlatti (Rome 1715) and Giuseppe Carcani (Venice 1743). The surviving arias from these lost operas are brought back to life by the Concert de l'Hostel Dieu and the charismatic soprano Roberta Mameli, who lends her supple voice to the titular Danish Prince and to the strong women around him, his courageous lover Veremonda (Shakespeare's Ophelia) and his tormented mother Gerilda (Gertrude).

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